Education: 2005 – 07 Goldsmiths College (University of London) MA Curating (pass)
1996 – 99 Goldsmiths College (University of London), BA Fine Art (2:1)
1994 – 95 Cheltenham College of Art & Design, BTEC Foundation (pass)
Employment:
2009 – present, Deputy CEO, AAH, London
2007 – 09, Co-Founder and Curator, Telephone (a ‘gallery’ for sound works)
Feb – March 2007, Curator, Responding to Aernout Mik, Camden Arts Centre
2006-07 Curator, Good Riddance, MOT international, London
2005-06 Intern, MOT international, London
2006 – 09 Programme Coordinator, AAH, London
2001 – 06, Administrator, AAH, London
1999 – 01, Temping and Admin work at various charities.

I currently work part-time as a Deputy Chief Executive of a small arts and education charity, called the AAH. The charity works with schools, universities and galleries to promote artistic and curatorial research, art history and visual culture. I am also a practicing artist and curator (although slightly less active since the birth of my 2 year and 5 year old!). I currently work on smaller scale abstract works of paint on paper, which mimic constructivist patterns and approaches. I used to work with oil on canvas or wood and on much larger scales. I produce the frames too, so tend to see the final works as objects. During my BA at Goldsmiths I mainly did figurative paintings but in my final year I started reproducing patterns and making abstract works. I always use tracing paper and methods of copying, appropriating and reproducing in my work, be it figurative or abstract. I am interested in the concept of mimicry and copying to excess so that even straight lines and solid blocks take on new forms.